19th Century Paper Dolls

 
 
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Fritzi Scheff was an American actress and singer who was popular in the early 20th century, though I have included her here because she was working by the turn of the century and her outfits are certainly reminiscent of the end of the Belle Epoque. This single page was done by John Axe and sports one of his nicer female dolls (click the image to see more details).

I admit I have not been working on my own 19th Century dolls for a while here as I reorganize my workspace and get things in order. But in case you missed it, I am regularly updating my other paper doll blog: Comic Book Chronicles.

I am hoping to post new stuff here soon enough, but in the mean time I hope you are enjoying seeing some of the stuff in my collection.

 
 
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Maurice Barrymore was one of the great actors of the late 19th century (and the father of an acting dynasty that continues today).

19th century actors are a lot of fun because stage costumes back then were so fanciful (and often even ridiculous).

This is one of a handful of John Axe dolls I have in my collection. While I often enjoy Axe's subjects, his dolls are of mixed success for me. I think his faces in particular are not very attractive, unfortunately. In the case of this set of dolls, for example, the first one is good, but the second one looks a little strange, especially when you consider that Maurice Barrymore was quite handsome. Still, it's a nice small set and I enjoy having it as part of my collection.  Click on the image to see the art in much better detail!

Also, click here to see the original costume of "Orlando" represented above.

 
Hawaiian Royalty 11/04/2009
 
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This is a recent and unusual acquisition of mine, produced in 1985 by Press Pacifica in Hawaii, the dolls were designed by Cassandra Land-Nellist, and carefully researched from photo archives.

King Kamehameha IV and Queen Emma (later called Kaleleonalani), enjoyed a very short reign in Hawaii, from 1856 to 1863, and were loved because of their care and concern for improving the lives of their people.

You can read more about them here and here. They look like such a beautiful couple and seemed to have been very happy in their very brief time together.

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This collection includes 14 pages of lovely period clothing including their wedding attire (at left), fancy formal wear, casual wear, and the queen's wardrobe following the death of her husband (including her mourning gown).

This is one of those lovely sets that I would really enjoy cutting, but since I've never seen it anywhere else, I'm going to keep it intact. The paper it is printed on is likewise lovely: textured and thick. The colors are absolutely vibrant. I acquired this off of that evil place known as eBay for a very reasonable price (it seemed).

 
 
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I am reminded that one of the reasons I began this blog was to sort of catalog the collection of paper dolls of the 19th Century that I have acquired over the years. I've been so distracted working on other stuff, I've hardly talked about the wonderful books available out there at all!

Today I offer a glimpse of Norma Lu Meehan's Victorian Paper Doll Wardrobe. I think this one is out of print, but you can find it on eBay and the like. Meehan's work is amazing on a lot of levels: she works from actual gowns from actual historical collections, which makes the amount of detail incredible. This particular set of dresses is from the Northern Indiana Historical Society.

In the book there are three dolls and 12 dresses ranging from the 1860s to the 1890s (with an emphasis on the 90s ~ but a nice range of styles of that decade). The one I've posted here is from 1887 and was worn to a wedding reception (click the picture to see more details).

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That's the other great thing about Meehan's books: the notes are fabulous, often telling who owned the dress, where it was worn (and why), and providing other detail about the type of material, accessories, etc.

Meehan has a number of books, all equally detailed (and just recently published a new book of 19th century wedding fashions ~ which I hope to acquire soon). I have several of her other books and will share reviews on them also.

And while I'm posting, I just want to say that I realize I am slow at posting new material of my own and hope to remedy that. On Halloween, I'll be launching a second blog with a project I have been working on (and which will be updating more quickly doll-wise that this one). Stay tuned!

 
 

* This post was reproduced from my Reconstruction website (where you will see why I have been too busy to post here, I hope).

Peterson's magazine was practically a staple for ladies in the American Victorian home. Next to Godey's Lady's Book, it was certainly the most popular.  Published monthly, it contained stories, fashion plates (both hand-colored and black & white engravings), advice on home management (furnishing, cooking, maintenance, and sewing), poetry, songs, embroidery patterns, and much more.

Many women saved the magazine for its tips and illustrations, and if it was economically feasible for them, had it bound. This edition in my collection is from 1867 and once belonged to Jennie L. Howard.


Peterson's Magazine hasn't been published in over a hundred years, but its popularity with collectors (particularly for its fold-out colored fashion plates), is rivaled only by that of Godey's. Both single loose issues and bound volumes can readily be found at antiquarian book stores and auctions, but prices can vary radically depending on the age, condition, and contents of the magazine. I got a bargain when I found this volume online for less than $20. I love it not only for its plates but because it's a window into the popular culture of the 19th century, its trends, attitudes, and amusements for women of a growing middle class.

I have some more plates to share from Peterson's from my personal collection, but they are not from this particular volume.

 
 

It's been hard to get any creative work done this past week. Busy on the regular job and evenings have been spent reading and trying to stay away from things that otherwise tax my eyes. But I am hoping to have new things to post after the coming weekend (which can't get here soon enough!)

Meanwhile, here's Lydia by Peggy Jo Rosamund. I think she's one of Rosamund's nicer looking dolls (more natural, anyway ~ she doesn't have that creepy doll look). I bought her on eBay a bazillion years ago, it seems. She was originally made with three extra pages of clothes, but I only have one extra page (a shame!).


She was published in a doll magazine (Doll Reader, I think). These are the two pages I own. I actually found the other two pages online and will share them in another post at another time.  I just wanted to share a bit of her here to keep things buzzing along in the interim. As always, give the image a click to see a little more detail.

It's definitely my ambition to finish a couple of dresses this weekend! I am studying some color combinations and working myself up to the task of tackling something that's not quite so duo or monochrome!


 
 

I'm always delighted to find paper dolls by artists other than Tom Tierney. Not that I don't appreciate Tierney's work (and especially since he's so prolific and has created so many cool 19th century-era dolls!). But I enjoy different styles and enjoy the distinctive qualities each artist brings to their own work.

I'm not very familiar with most of Stall's work, but I found this little gem (4 pages originally published in the May, June/July 1985 editions of Doll Reader) on eBay (where else?). I did not reproduce the whole set of costumes, but wanted to share the doll and my favorite dress at least.


This is Adrienne, a "fashionable lady of 1864" and her wardrobe is based on designs that originally appeared in The Lady's Friend, which was a journal for women produced in Philadelphia in the 19th century. The nice thing about Stall basing this on contemporary magazine fashions from the era is that she included some footnotes regarding the various pieces of clothing and where they originally appeared in the magazine. Very cool idea!

The Dress here at the left is my favorite of the lot and I am drawing something based on it for my own set of dolls (for Emmaline). You can see both the doll and the dress in much more detail if you click on the images.

Because this is printed on somewhat fragile magazine paper, I'm looking forward to making a photocopy on sturdy paper so that I can cut the pieces out. I love them so much in black and white, I don't think I'll even attempt to color them.


 
Merry Christmas! 12/22/2008
 

Before I sign off for vacation, I thought I should offer at least one Santa Claus paper doll ('tis the season and all). I intend to make my own one day ~ I have some pretty specific ideas about what I want him to look like, and he does appear in my series at least once that I am aware of, so he's officially a "character" of this universe. But in the meantime, here's Tom Tierney's Santa Claus, who deserves the honor since he has the coolest 19th century costumes of all the Santa Claus paper dolls that I have seen. Click on the image to see the costumes in more detail.

The marketing idea of a "Santa Claus" was really born in the 19th century, thanks to Clement Clarke Moore's poem "A Visit from Saint Nicholas" (more commonly called by its opening line minus a "t'was: "The Night Before Christmas". The idea was popularized by Thomas Nast in the illustrated papers (the patriotic depiction on the left is drawn from a wartime newspaper in 1863 ~ notice the army camp in the background there).

Tierney's paper doll includes an interesting evolution of Santa Claus through the 19th century from his Dutch beginnings in a 1821 image all the way to the turn of the century in his first motorcar. The second costume here is undated, but by the look of the doll it's likely based on an image from somewhere in the 1830s or 40s.

I hope everyone has a happy holiday and I look forward to posting lots of fun stuff in the new year!


 
 

I had wanted to post something Halloweeny yesterday, but couldn't muster the enthusiasm to find a paper doll in costume (though I had a couple in mind who are wearing masquerade ball gowns ~ nothing too exciting anyway, so it's probably just as well.

Instead, today, in commemoration of All Saints, I'm sharing one of the most famous of the 19th Century saints of the Roman Catholic Church: Saint Therese of Lisieux, who was also called the "Little Flower" (you can read her story and see images of her at the Patron Saint Index if you click her name). The artist is Patricia Anderson Milan, who has done a handful of saints in paper doll form. Unfortunately, these appear to be out of print, but you can still find copies floating around.

There are a good number of things I love about these dolls. They are made for young children, so they are large, bright, and extremely easy to cut out (all of the dolls and dresses are very simple shapes, making most of the clothing interchangeable between characters (an added bonus). Also, there are just so many of them! This set includes Therese as a child and an adult, her sisters, aunt, uncle, cousin, parents, friends, and even her dog. The range of clothing includes school clothes, everyday wear, Communion dresses, and numerous habits of her religious order. Although the artwork is somewhat crude, it's got a handmade charm you can't get from super-polished work (with which I have a love/hate relationship). And because they are so easy to cut and handle, the set really does encourage play (more complex sets can seem too fragile or have too many very small pieces).

Click on the images to see more details. The overall quality of these dolls make them worth every penny.


Meanwhile, I actually have been working on making clothes. I just haven't had much energy to scan and post anything. As usual, I am at that place where suddenly I dislike my own creations rather intensely. I tend to get bogged down at this stage. Everything comes to a grinding halt. Why continue making a doll I dislike?

I will continue to muddle.

 
 

Robert Todd Lincoln gets the Tierney treatment in Abraham Lincoln and His Family. This has got to be one of the stranger set of paper dolls on some level: the Lincolns didn't exactly have a happy household; Lincoln was assassinated, Tad died young, and Robert and his mother parted ways rather bitterly over her erratic (insane) behavior. I'm surprised there's no inclusion of Willie among the boys (Why not? What's one more dead Lincoln?). Maybe it's just my own morbid mind that conjures these thoughts.

Otherwise, the collection is very nice (though I don't really need to think about what Abraham Lincoln looks like in his long johns). The inclusion of Mary's widows weeds brings us back to the whole "morbid" thing, but seems a necessary inclusion. With Tierney's other presidents, he often included some close friends or other "family", not so here. Just Abe, Mary, and the two boys. Probably that was a good choice. I don't know what I would have done if there had been a Stanton doll (shudder!).

I didn't get any work done on paper dolls last week (didn't like the way I mixed the paints and ended up with a flesh tone that was just gagly. So I ruined a set. Now I have to start over. I'll try to work on them this weekend and post something soon! I cleaned off my desk space so that I could work more comfortably, but of course it is already crowded with books and papers again.